Steering Comittee

Tom Toremans (Director)

photo-tom

Tom Toremans is assistant professor at KU Leuven, where he teaches English, Scottish and European literature, and literary theory. His research interests include British Romanticism, Scottish literature, periodical studies, and translation and reception studies. He is a member of the steering committee of the Centre for Translation Studies (CETRA) and of the executive board of the Reception Studies Society. He is also a member of the editorial board of the journal Reception: Texts, Readers, Audiences, History. More details on publications and current research projects under his supervision can be found on his personal website.

Affiliation: KU Leuven
Contact: tom.toremans@kuleuven.be

Elke Brems

Elke Brems

Elke Brems is associate professor (‘hoofddocent’) at the Faculty of Arts KU Leuven. She is the head of the Research Unit of Translation Studies at KU Leuven. Her research interests include Dutch literature, Reception Studies and Translation Studies. She has published on contemporary Dutch poetry, literature and poetics during the interwar period, the relation between Dutch culture and other cultures, cultural identity and literature. She is a member of the Board of CETRA (Centre for Translation Studies). She is also a member of the editorial boards of Zacht Lawijd and of Poeziekrant.

Affiliation: KU Leuven
Contact: elke.brems@kuleuven.be

Walter Verschueren

Walter Verschueren

Walter Verschueren teaches translation and translation studies at KU Leuven. His research interests are translation and reception studies, particularly in the context of the nineteenth-century literary transfer between the UK and the Low Countries.

Affiliation: KU Leuven
Contact: walter.verschueren@kuleuven.be

Doctoral Researchers

Dorien De Man

Dorien De Man

Dorien De Man studied English and Spanish literature and linguistics at the University of Leuven. In December 2012 she started a Ph.D. research project under supervision of professor Elke Brems. The project concerned examines the presence of foreign female authors in Flanders during the interwar period. In particular, it analyzes if and how the writings of these female authors affected Flemish society and its literature with focus on the representation of gender, the growing ideas on national identity and the existing literary models. Dorien is also engaged in the working group on the translation of Willem Elsschot’s ‘Kaas’ (‘Cheese’) of the CODL-project (The Circulation of Dutch Literature).

Affiliation: KU Leuven
Contact: dorien.deman@kuleuven.be

Theresia Feldmann

Theresia Feldmann

Theresia Feldmann studied German, French and English literature at the universities of Brussels (VUB) and Nantes. She is currently working on a Ph.D under the supervision of Elke Brems, as part of the project “Eastbound: the distribution and reception of translations and adaptations of Dutch-language literature, 1850-1990”. This joint project of KU Leuven and Huygens ING, co-funded by the Dutch Science Foundation (NWO) and Flemish Research Foundation (FWO), forms part of the overarching initiative Circulation of Dutch Literature (CODL). The focus of her research is on the international cultural and economic networks which brought Dutch-language literature to the German-language area, and the reception of that literature in the German-speaking world – looking, for example, into phenomena of change in cultural identity.

Affiliation: KU Leuven
Contact: theresia.feldmann@kuleuven.be

Melanie Hacke

Melanie Hacke

Melanie Hacke graduated as Master of Western Literature (English and Latin) at the University of Leuven in 2015, and as Master in Victorian Studies at the University of Exeter in 2016. Her Ph.D project ‘Cultural Transfer and Translation in Scottish Romantic Periodicals, 1817-1829’ is supervised by Professor Tom Toremans (KU Leuven Campus Brussels) and Professor Tom Mole (University of Edinburgh). Responding to the relative neglect of the study of translation in Romantic (periodical) scholarship, her project analyses how the Edinburgh Review and Blackwood’s Magazine engage with other cultures and literatures. Through a critical comparative analysis of transfer and translation, the project investigates how the periodicals’ editorial practices reflect their ideological positions in the Scottish literary marketplace.

Affiliation: KU Leuven
Contact: melanie.hacke@kuleuven.be

Ellen Lambrechts

Ellen Lambrechts

Ellen Lambrechts has obtained a Bachelor’s and a Master’s degree in Spanish and French literature and linguistics at the KU Leuven. Currently she is preparing a Ph.D about the translation and reception of the contemporary Peruvian fantastic narrative in the French, Anglo-Saxon, and Brazilian literary system. Under the supervision of Prof. Dr. Erwin Snauwaert (supervisor) and Prof. Dr. Nadia Lie (co-supervisor) she investigates how the subtle manipulations that are characteristic of the so-called “fantástico de lenguaje” are reproduced in the different target languages and which are the aesthetical and/or ideological consequences of this in a transnational context. She is a member of the Research Unit ‘Translation and Intercultural Transfer’ and the ‘Centre for Reception Studies’ (CERES).

Affiliation: KU Leuven
Contact: ellen.lambrechts@kuleuven.be

Jack McMartin

Jack McMartin

Jack McMartin studied culture and politics at Georgetown University’s School of Foreign Service in Washington, DC before coming to Belgium to pursue a master’s degree in literary studies. He worked for four years as a press officer and translator in the University of Leuven newsroom before starting a Ph.D. research project under the supervision of Elke Brems in March 2015. The project traces how English translations and adaptations of twentieth-century Flemish literature have been brought into circulation in a transnational and multicultural context.

Affiliation: KU Leuven
Contact: Jack.McMartin@kuleuven.be

Myrthel Van Etterbeeck

Myrthel Van Etterbeeck

Myrthel Van Etterbeeck completed her master Cultural Studies at the University of Leuven. Presently she is working on a Ph.D under the supervision of Elke Brems and Reine Meylaerts. As part of the Belspo Brain project “Recognition and resentment: experiences and memories of the Great War in Belgium”, the research focuses on the on the experience and memory of World War I through the lens of Belgian literature. It strives to analyse the relationships between the presentation of the war and Belgian identity through a comparative analysis of a corpus that consists of both French and Dutch literary works.

Affiliation: KU Leuven
Contact: myrthel.vanetterbeeck@kuleuven.be

Members

Jan Ceuppens

Jan Ceuppens

Jan Ceuppens (°1964) is German lecturer at the department of applied linguistics at KU Leuven, where he teaches literature, translation, and interpreting. His research interests include modern and contemporary German literature, translation and reception studies. He has published on W.G. Sebald (Vorbildhafte Trauer. W.G. Sebalds Die Ausgewanderten und die Rhetorik der Restitution (Eggegingen: Isele 2010) as well as articles on Kafka and on the interaction between Flemish and German literature in the 19th and early 20th century, notably the translations of Hendrik Conscience’s De Leeuw van Vlaanderen.

Affiliation: KU Leuven
Contact: j.ceuppens@kuleuven.be

Ben De Bruyn

Ben De Bruyn

Ben De Bruyn is a postdoctoral researcher of the Research Foundation Flanders (FWO) and a senior researcher of the KULeuven-based MDRN group. He has taught literary theory and comparative literature at the universities of Leuven, Ghent, Liège, Nijmegen and Groningen. His first book offers a detailed analysis of the German and English writings of the world-renowned reception theorist Wolfgang Iser (De Gruyter, 2012) and he has written several articles on contemporary theory (ecocriticism, posthumanism) and on the representation of reading and books in modern and contemporary literature.
Affiliation: KU Leuven
Contact: ben.debruyn@arts.kuleuven.be

Brecht de Groote

Brecht De Groote

Brecht de Groote recently completed his Ph.D in literary studies at the University of Leuven, Belgium. His dissertation, A Frightful Co-Existence: Thomas De Quincey, Translation, and the Prospect of Modernity, focuses on De Quincey’s attempts to rethink and redefine Romanticism so as to prepare literature, and through literature the nation at large, for the encroaching crises of modernity. Its central thesis is that this project takes its inspiration from translation: De Quincey figures British Romanticism as a middle ground between modernity and premodernity, as well as between German and French Romanticism, whose respective influences are to be reconciled through a practice and a theory of translation.

Brecht’s postdoctoral research project, When Political Economy was Popular: The Reception of Political Economy in Britain, takes its cue from De Quincey’s considerable but oft-neglected output of essays on political economy. In situating these essays in the context of a widespread movement for a literary reception of political economy, which grows especially prevalent in Britain in the period between 1817 and 1847, the project hopes to shed light on the exchanges between economics and literature during a period during which both these disciplines asserted their discursive specificities. Brecht is conducting part of his research at the University of Edinburgh, at the Institute for Advanced Studies in the Humanities as a Susan Manning Postdoctoral Fellow, in co-operation with the Centre for the History of the Book, both. During his time at Edinburgh, Brecht will be conducting research on the Edinburgh Review and Blackwood’s Magazine, both of which made significant contributions to the interaction between literature and economics.

Affiliation: KU Leuven
Contact: brecht.degroote@kuleuven.be

Tamara Gosta

Tamara Gosta
Tamara Gosta’s research has a double focus. In her doctoral dissertation (Persistent Pasts: Historical Palimpsests in Nineteenth-Century British Prose, Georgia State University, 2010), she explored the interplay between narrative, ethics and history in Romantic and Victorian writers such as Scott, Hogg, Carlyle and Eliot. She has published in this field in journals such as European Romantic Review (2011) and Studies in the Literary Imagination (2013). Beyond the nineteenth century, Gosta continues to interrogate the ethical implications of historical representation and translation. In this context, she has published on the Serbian Jewish writer David Albahari in World Literature Today (2013) and Critique: Studies in Contemporary Fiction. Gosta has been a research fellow at CERES since 2014.
Affiliation: KU Leuven
Contact:

Sylvia Liseling-Nilsson

Sylvia Liseling-Nilsson
Sylvia Liseling-Nilsson is assistant professor at the Faculty of Arts, KU Leuven, Brussels Campus where she is responsible for the Polish program within the Applied Linguistics department. Her research interests include Children’s and Young Adult Literature, and Swedish and Polish literature in translation. She has published on the reception of Astrid Lindgren in Poland, on different aspects of verbal and visual translation of Swedish literature into Polish, Russian and French, and on translation of Polish literature into Swedish. Her research interests further include also cultural transfers especially to and from the Swedish and Polish cultures, but also cultural identity in literature.
Affiliation: KU Leuven
Contact: sylvia.liselingnilsson@kuleuven.be

Remco Sleiderink

Remco Sleiderink
Remco Sleiderink (1968) is Campus Dean of the Faculty of Arts at KU Leuven Campus Brussels. He is senior lecturer medieval Dutch literature and focuses on multilingualism in the Southern Low Countries and on literary life at the court and in the city. Curriculum vitae and complete bibliography on my personal website (in Dutch).
Affiliation: KU Leuven
Contact: remco.sleiderink@kuleuven.be

Erwin Snauwaert

Erwin Snauwaert
Erwin Snauwaert is Professor at the Brussels campus of the KU Leuven where he teaches Spanish language, Hispanic Literature and Culture and Translation of Literary Texts and Essays. He proceeded to his doctor’s degree with a thesis about the Peruvian author Alfredo Bryce Echenique, which has been published as Crónica de una escritura inocente (1998). He is a member of the Research Unit ‘Translation and Intercultural Transfer’ and the ‘Centre for Reception Studies’ (CERES). He is mainly interested in the Spanish and Latin American contemporary novel, in fantastic literature and in intercultural and translation issues, a focus that comes forward in his recent articles and several contributions at international conferences.
Affiliation: KU Leuven
Contact: erwin.snauwaert@kuleuven.be

Jan Van Coillie

Jan Van Coillie
Jan Van Coillie (1957) is professor at the Faculty of Linguistics and Literature of the KU Leuven, where he teaches applied linguistics and children’s literature (in translation). From1999 till 2006 he was acting chairman of the Belgian National Centre for Children’s Literature. He has published widely on children’s poetry, fairy-tales, history of children’s literature, children’s literature in translation and children’s literature generally. From 1999 till 2004 he was editor-in-chief of the Encyclopedie van de jeugdliteratuur (Encyclopaedia of Youth Literature). Since 2006 he’s co-editor of the Lexicon van de jeugdliteratuur (Lexicon of Youth Literature) He is also active as a critic, author of children’s poetry and translator of picture books.
Affiliation: KU Leuven
Contact: jan.vancoillie@kuleuven.be

Colette Van Coolput-Storms

Colette Storms
Affiliation: KU Leuven / UC Louvain
Contact: colette.storms@kuleuven.be

Stefan van den Bossche

Stefan van den Bossche
Stefan van den Bossche is a Visiting Professor (bijzonder gastprofessor) at KU Leuven Campus Brussels and UC Leuven-Limburg. He graduated in Literature (KU Leuven) and Cultural sciences (VUB), and obtained a postgraduate degree in Art Gallery Studies. He obtained his doctoral degree at VU Amsterdam with a dissertation on life and works of Jan van Nijlen (2005). His research interests include reception studies, comparative literature and the interaction between literature and fine arts of fin de siècle and interbellum.
Affiliation: KU Leuven
Contact: stefan.vandenbossche@kuleuven.be